Summer Fun: Opera: At the Spoleto Festival USA, early June offers the Weil-Brecht 'Rise and Fall of Mahoganny City' and more

Thanks to New York Times, music reviewer and ArtsBeat blogger, James R. Oestereich proses in English, "Strange, Faraway Fantasies of Hell and Paradise" (Jun1,2k7) from Charleston, South Carolina where the Italian Spoleta Festival spins off a week of performances to the delectation of connoisseurs.

Two more disparate works could hardly be imagined. And yet they have odd similarities.

As two of its three operas this year, the Spoleto Festival USA here is offering Kurt Weill’s collaboration with Bertolt Brecht, Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny); and Christoph Williband Gluck’s Île de Merlin, ou le Monde Renversé (Merlin’s Island, or the World Turned Upside Down). Both send peculiar creatures to faraway places, and both deal, in contrasting ways, with social issues.

(The third opera is Pascal Dusapin’s Faustus, the Last Night, which has its last performance on June 9.)

Summer Fun > Spoleto Opera Festival

In Mahagonny three fugitives establish a fantastical city in some realm far from civilization, but, as it turns out, within hurricane’s distance of Pensacola, Fla. In Merlin two Parisian wastrels wash up on a remote Arcadian island.

Mahagonny, a morality play awash in cynicism and pessimism, depicts a hellish world in which there is no such thing as peace and harmony, a world of greed and grasping ambition, a world in which you must do whatever you want before others do unto you what they want. The courts are “no worse than anywhere else.” It can only end badly.

Live Opera Music, by Audiosvisiotor

Merlin, a Panglossian comic effusion, offers a paradise in which the rich must marry the poor, artists earn more than businessmen or lawyers, and love is lasting and faithful. The courts know no corruption. It is, in short, the opposite of Paris. And all that is before Merlin appears to fine-tune the outcome.

Of musical genres there is no end, and opera is music with quasi-actorial qualities. Opera is a bouquet of arts with music the leading edge. I wish I could be in in Charleston for these, now that I've updated my US passport. But probably my only Opera-fun this summer will be found in reading NYT reviewers.